Jaime Lauriano (São Paulo, 1985) lives and works in São Paulo, Brazil. He graduated from the Centro Universitário Belas Artes de São Paulo, in 2010. Among his most recent exhibitions, there are the solo exibithions: Nessa terra, em se plantando, tudo dá, Centro Cultural Banco do Brasil, Rio de Janeiro, Brasil, 2015; Autorretrato em Branco sobre Preto, Galeria Leme, São Paulo, Brazil, 2015; Impedimento, Centro Cultural São Paulo, São Paulo, Brazil, 2014; Em exposição, SESC, São Paulo, Brazil, 2013; and the group exibithions: Totemonumento, Galeria Leme, São Paulo, Brazil, 2016; 10TH Bamako Encouters, National Museum, Bamako, Mali, 2015; Empresa Colonial, Caixa Cultural, São Paulo, Brazil, 2015; Frente a Euforia, Oficina Cultural Oswald de Andrade, São Paulo, Brazil, 2015; Tatu: futebol, adversidade e cultura da caatinga, Museu de Arte do Rio (MAR), Rio de Janeiro, Brazil, 2014; Taipa-Tapume, Galeria Leme, São Paulo, Brazil, 2014; Espaços Independentes: A Alma É O Segredo Do Negócio, Funarte, São Paulo, Brazil, 2013; has works in the public collections of the Pinacoteca do Estado de São Paulo and Museu de Arte do Rio (MAR) with works marked by an exercise of synthesis of the content of his researches and formalization strategies, Jaime Lauriano calls us to examine the structures of power contained in the production of history. In audiovisual pieces, objects and critical texts, Lauriano shows how violent relations maintained between the institutions of power and State control - such as the police, prisons, embassies, borders - and subjects shape the subjective processes of society. Thus, his production seeks to bring to the surface historical traumas relegated to the past, confined files, in a proposal to collectively revise and rework history.